Integrating Runqiang Techniques in Chinese Folk Singing with Bel Canto Techniques in the Performance of Selected Chinese Coloratura Vocal Works

Abstract

This research investigates Runqiang (润腔) techniques from Chinese folk singing with Bel canto vocal principles in the performance of selected Chinese coloratura vocal works. While existing studies often focus on technical demonstrations or descriptive analyses of individual compositions, few address the systematic fusion of these two vocal traditions from the perspective of performance practice. Using a practice-based research (PBR) methodology, this research positions artistic practice as base and source of inquiry, enabling a continuous cycle of performance, reflection, and refinement. The research first examines the ornamental, timbrel, and expressive functions of Runqiang. It then explores key Bel canto techniques. Through applied practice on two representative Chinese coloratura vocal works, the research demonstrates how the integration of Runqiang with Bel canto techniques enhance technical fluency, enrich vocal color, and preserve the cultural identity of Chinese folk expression within coloratura vocal works. The findings reveal that this hybrid approach not only resolves performance challenges inherent in contemporary Chinese coloratura repertoire but also contributes to a more systematic method for interpreting these vocal works with in Chinese folk material. Ultimately, the research proposes an intercultural performance model that balances technical virtuosity with cultural authenticity, offering valuable implications for modern vocal pedagogy and Chinese vocal art development.