Intrapersonal Directive Speech Acts in Japanese Songs as a Tool for Self-Motivation

Abstract

This study examines the use of intrapersonal directive speech acts as an instrument of inner speech to build psychological resilience within Japanese song lyrics. Employing a descriptive-analytical qualitative approach, this research integrates John R. Searle’s Speech Act Theory and Lev Vygotsky’s Inner Speech Theory to analyze four selected songs: Homura and Gurenge by LiSA, alongside Unravel and Signal by TK from Ling tosite sigure. The analysis of 37 utterance data reveals that the dynamics of this inner communication are predominantly characterized by the Self-Command function (45.9%), which is oriented towards behavioral activation and reinforcing determination, as well as the Self-Advice function (40.5%), which serves the purpose of cognitive restructuring. Furthermore, the study identifies Self-Prohibition speech acts (8.1%), acting as an ego defense mechanism during acute crises, and Self-Request (5.4%), which functions as a preliminary step for emotional validation. In conclusion, directive utterances in Japanese song lyrics transcend mere passive emotional expression; they effectively transform into a hierarchical and synergistic mechanism of intrapersonal communication (self-talk) utilized to convert trauma or sorrow into an internal motivational drive to overcome adversity.